Digital Audio Engineering
(DURATION – 6 MONTHS)

Introduction to basics of Sound & Music
- Basis of sound
(Physics of sound and its terminology, Audible freq response of human ear, Units of sound, dynamic range etc.)
- Difference between sound and music
(Tones, timbres and texture)
- Acoustic sound and synthetic sounds
(Concept of synthesizers, Oscillators, filters etc.)
- Analog and digital theory
(Basic discussion, pros and cons of each)
- Audio formats and conversion tools
(Mono & stereo, Diff between channels & tracks, Wav, mp3, AIFF file types)
- Inputs, outputs, sends and returns
- Connections: types and leads
DAW Console Set up
- Multi track Mixing and recording levels
- Analogue and digital headroom
- The tracking process
- Setting up monitor and headphones mixes
Monitoring
- Choosing and installing monitors
- Monitors: active and passive, ported, un-ported
- Room shape and monitor placement
- Acoustic treatments and how they work
The Engineers Guide to Microphones
- Microphones and their uses: dynamic, ribbon etc
- Mic positioning and recording techniques
- Microphones and compression
- EQ: fixed, sweepable, parametric and graphic
Complete Guide to Compression
- Compression theory. Why use compression?
- Attack, Release, Threshold and Ratio explained
- Compressor types and their sound
- Guide to quality compression plug-ins
Noise Gates & Reverbs
- Why use noise gates? Pro “tricks” revealed
- Types of reverb: spring, plate, digital, convolution
- Reverb parameters and how to use them
- Damping, density, pre-delay; gated reverb
Echo and delay
- Delay parameters: time, feedback, hi-cut
- Multi-tap, ping pong, common delay types
Chorus; pitch shifting, phasing and flanging
Recording Bass and Guitar
- Recording guitar in Guitar Rig
- Emulate cabinets, mic placement and effects
- Using DI boxes to record straight into the desk
- How to mike up a bass cabinet
- Recording techniques with a guitar amp
Recording acoustic guitar: stereo miking
Recording with Software
- Use BFD to mimic “real” playing styles
- Mixing in BFD and assigning to MIDI controllers
Recording Vocals
- Microphone selection and placement for vocals
- Tips and tricks for recording a good vocal
- Creative use pitch correction software
- How to EQ lead vocals. How to use de-essers
- Vocals: reverb, delay, auto double tracking
- Backing vox: sub mixes, EQ, compression
Preparing for Mix down
- Referencing and A>B comparison
- Sub-grouping tracks
- Panning: when and how to use panning controls
- EQ types: boosting, cutting and notching
- Fixing mistakes: correcting tuning with Melodyne
- Correcting timing
- Editing: compiling audio for the best take
- Crossfades and bouncing audio files
Music to Picture: Creating Soundtracks
- Working to a deadline. Working to a creative brief
- Importing video into Cubase and Logic
- Working with timecode; tempo changes
- Matching a musical score to video
Music to Picture 2: Creating Sound Effects
- Foley and the ‘Art of Sound Effects’
- Motion picture FX: Sound design in Star Wars
- Placing effects in the stereo field
Mastering
- What is mastering?
- How to optimize your master
- Separation and home mastering techniques
- Buss compression techniques Multi-band, equalizers and limiters, dithering
- Supervised mix-down with your tutor
- Expert help and advice
- 1-2-1 session time with your tutor
- Transform your Mix into a final mastered track ready for release mix
How to Promote Yourself in the Music Industry
- Advertising, Promotion, Publicity and PR
- Putting together your own promo kit
- Myspace, Last FM, Podcasting and aggregators
- Selling your music online